{"id":16271,"date":"2024-11-20T14:41:20","date_gmt":"2024-11-20T17:41:20","guid":{"rendered":"https:\/\/gustavoassisceramicas.com.br\/?p=16271"},"modified":"2024-11-20T14:41:20","modified_gmt":"2024-11-20T17:41:20","slug":"cobre-reduzido-na-ceramica-o-segredo-do-vermelho-brilhante","status":"publish","type":"post","link":"https:\/\/gustavodeassis.com\/en\/cobre-reduzido-na-ceramica-o-segredo-do-vermelho-brilhante\/","title":{"rendered":"Copper in Reduction: The Secret of Brilliant Red Ceramics"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Hello everyone! <\/span><\/p>\n<p><span style=\"font-weight: 400;\">I have always been fascinated by the results I have achieved using copper in glazes fired in a gas kiln under a reducing atmosphere. Few effects are as challenging and fascinating as the brilliant red produced by glazes containing reduced copper. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">But what lies behind this magic? Why is the colour so difficult to achieve? Let us explore the science behind it.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"font-weight: 400;\">Why Does Reduced Copper Produce Red?<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">During reduction firing, with little oxygen present, copper ions (Cu+2 or Cu+) are transformed into metallic copper (Cu\u2070). This metallic state not only changes copper's chemical properties but also creates nanoparticles that interact with light in a distinctive way, producing the vibrant red colour.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"font-weight: 400;\">The Role of Copper Nanoparticles<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Metallic copper nanoparticles are small clusters of copper atoms that form in the glaze during firing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These nanoparticles exhibit a phenomenon called surface plasmon resonance (SPR). When light falls on the glaze, electrons at the nanoparticles' surfaces vibrate in response to certain light frequencies, absorbing blue and green. The result is an intense, brilliant red reflected towards our eyes.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"font-weight: 400;\">Why Do We Use Tin Oxide (SnO\u2082)?<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">To achieve the desired shade, many glazes contain tin oxide (SnO\u2082). It acts as a nucleating agent, creating sites where metallic copper particles can form. This helps to:<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li><span style=\"font-weight: 400;\"> Control particle size:<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Small particles produce brilliant red, whereas large particles produce dull browns or blacks.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li><span style=\"font-weight: 400;\"> Distribute copper evenly:<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">SnO\u2082 prevents excessive clustering, ensuring a homogeneous glaze.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"font-weight: 400;\">Factors Influencing the Result<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Reducing copper to achieve brilliant reds is notoriously difficult. Here are some reasons why:<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li><span style=\"font-weight: 400;\"> Kiln atmosphere:<\/span><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Reduction at the right temperature is essential. Without sufficient oxygen, copper is reduced to its metallic state (Cu\u2070). In an oxidising atmosphere, copper remains as Cu+2, producing green or turquoise glazes. Despite the presence of tin oxide, nanoparticle size is controlled above all through the potter's experience during firing.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"2\">\n<li><span style=\"font-weight: 400;\"> Temperature:<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">High temperatures allow nanoparticles to form and stabilise.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ol start=\"3\">\n<li><span style=\"font-weight: 400;\"> Cooling rate:<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Slow cooling helps control particle size, ensuring the desired shade.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"font-weight: 400;\">Science and Art, Hand in Hand<\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Reduced copper red is a perfect example of chemistry intertwined with ceramic art. Every detail of the glaze recipe and firing process influences the final result, allowing potters to create unique pieces rich in history.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">So, next time you admire a vibrant red glaze, remember: behind that beauty lie careful work and the fascinating world of metallic copper nanoparticles!\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Ol\u00e1 pessoal! Eu sempre fiquei fascinado pelos resultados que consegui com o uso de cobre nos esmaltes em forno a g\u00e1s no regime de atmosfera redutora. Poucos efeitos s\u00e3o t\u00e3o dif\u00edceis e ao mesmo tempo fascinantes quanto a cor vermelha brilhante obtida em esmaltes contendo cobre reduzido. Mas o que est\u00e1 por tr\u00e1s  [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":16164,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,212,8],"tags":[807,46,809,211,808],"class_list":["post-16271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-esmalte","category-quimica","category-tecnicas","tag-cobre","tag-esmaltes","tag-nanoparticulas","tag-quimica","tag-vermelho"],"_links":{"self":[{"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/posts\/16271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/comments?post=16271"}],"version-history":[{"count":1,"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/posts\/16271\/revisions"}],"predecessor-version":[{"id":16272,"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/posts\/16271\/revisions\/16272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/media\/16164"}],"wp:attachment":[{"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/media?parent=16271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/categories?post=16271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gustavodeassis.com\/en\/wp-json\/wp\/v2\/tags?post=16271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}